As we wrap up 2023, the musical industry has once again had a captivating journey.

We’ve had newbies strut their stuff, claiming their spot in the music scene, as well as music industry titans, releasing highly anticipated projects . Picking the ultimate hits is tricky as music taste is personal and subjective. But we've rounded up a mix of timeless jams and boundary-pushing tracks, judging them on production, lyrics, and vocals that hit you right in the feels.

In no particular order, join us as we unveil Pop Tingz's curated collection of the finest tracks from 2023:

Fly Girl - FLO ft. Missy Elliott

FLO's only single release of 2023, "Fly Girl," weaves a reminiscent contemporary narrative with threads borrowed from the golden era of Early 2000s R&B. Drawing inspiration from the archetype set by Destiny's Child, the track stands as a modern homage to unapologetic female empowerment, exuding both confidence and soul. The British three-member ensemble, reminiscent of Y2K-era harmonies, skillfully blends funky production with the sensuous tones of present-day R&B.

What sets "Fly Girl" apart is its use of a sample from Missy Elliott's 2002 hit "Work It," serving as both a nod to the past and a stroke of musical brilliance. The inclusion culminates in a spirited guest verse from none other than the icon herself, adding an extra layer of nostalgia and contemporary flair to the composition.

A&W - Lana Del Rey

Within the compelling heart of her introspective project, "Did You Know That There's a Tunnel Under Ocean Blvd," the elusive singer-songwriter embarked on a collaborative venture with the talented Jack Antonoff to create a musical masterpiece that stands as a pinnacle in both of their illustrious careers. The ambitious centerpiece unfolds as a seven-minute epic, weaving a mesmerizing narrative that traces the protagonist's evolution from the innocence of childhood to the complexities of adult debauchery—underscored by the symbolic use of "A&W" as an abbreviation for "American Whore."

Antonoff's collaboration amplifies the narrative impact of the song, orchestrating a musical journey that mirrors the thematic exploration. The composition takes a transformative mid-song turn, shifting from a delicate interplay of strings and piano into the realm of cinematic trap, enhancing the storytelling with an auditory kaleidoscope. In this ambitious endeavor, the duo not only showcases their individual artistry but also forges a collective creation that transcends the boundaries of conventional musical expression.

(It Goes Like) Nanana - Peggy Gou

Peggy Gou's resounding global triumph, encapsulated in her hit single, delves into the attempt to articulate the ineffable. The song's success, mirroring its essence, transcends the confines of the club scene, ascending to the heights of the charts and securing the noteworthy position on the Global 200—an exceptional achievement for a 2023 house single.

Beyond the statistical triumph, the allure of "Nanana" is undeniably palpable. It effortlessly intertwines infectious catchiness with an irresistibly propulsive dance-pop vibe, creating a sonic experience that feels as though it could—and perhaps should—extend into eternity. The title chorus, a collective singalong of "Nanana," resonates like a gratifying remedy for an itch that's been thoroughly scratched. Notably, the synth bends embedded in the composition serve as a nostalgic homage, eliciting a wave of emotion for those who fondly recall the era dominated by ATB. In essence, "Nanana" not only conquers the charts but also etches itself into the collective memory as a timeless anthem with universal appeal.

I’m Good (Blue) - Bebe Rexha ft. David Guetta

Elevating the iconic hook from Eiffel 65's 1999 hit "Blue (Da Ba Dee)," David Guetta and Bebe Rexha orchestrated a strategic musical maneuver that ultimately paid off handsomely. The long-anticipated release of "I'm Good (Blue)," initially hinted at half a decade ago, finally materialized following high demand on TikTok, culminating in a resounding success and standing out as their most significant hit in years.

An aptly titled track, "I'm Good (Blue)," rides the wave of the mighty piano riff, skillfully tapping into the unique strengths of the dynamic duo. Guetta's expertise shines through in the euphoric production, while Rexha's vocals soar to new heights, creating a harmonious synergy that translates into a feel-good (pun intended) anthem. The song effortlessly induces massive levels of serotonin and nostalgia, crafting an auditory experience that resonates as both uplifting and a nostalgic trip down memory lane.

vampire - Olivia Rodrigo

Navigating the intricate landscape of a sophomore release at the tender age of 20, Olivia Rodrigo faced the formidable task of dispelling any doubts that her remarkable debut with "Sour" was merely a beginner's luck. Enter "vampire," the lead single from her second album, "Guts,” and it effortlessly soars past all expectations.

This Dan Nigro-crafted gem encapsulates the essence of Rodrigo's distinctive songwriting skills. Seamlessly blending catchiness with inventive flair, the track strikes a delicate balance between straightforwardness and clever lyricism. "vampire" not only bears the unmistakable signature of Rodrigo's unique style but also exudes a refreshing quality that pierces through the notion of a sophomore slump-like a wooden stake through the heart.

TQG - Karol G ft. Shakira

In a historic collaboration, two of Colombia's powerhouse female artists, Karol G and Shakira, united their talents for the first time in the emphatic "TQG." The acronym, derived from "Te Quedó Grande" (loosely translating to "Too Big for You"), encapsulates the essence of this dark and dramatic reggaetón anthem, expertly produced by Ovy on the Drums. In this musical endeavor, Karol G and Shakira emerge more empowered than ever, delivering a resonant message to their former flames that they've ascended on every front – physically, personally, and professionally.

"TQG" made an indelible mark by claiming the top spot on both the Billboard Global 200 and Billboard Global Excl. U.S. charts in March. This monumental achievement marked the first No. 1 on these prestigious rankings for each Colombian superstar, solidifying "TQG" as a groundbreaking collaboration that not only showcases the synergy of two musical powerhouses but also serves as a triumphant milestone in their careers.

Dance The Night - Dua Lipa

Upon the release of this pop-infused disco delight in May, many listeners initially dismissed it as a throwaway track. However, its enduring impact left a lasting impression, urging audiences to reconsider the value of a light, buoyant record—particularly one impeccably suited for the cinematic world of Barbie, for which it was commissioned, even soundtracking a noteworthy dance sequence.

Notably, this marked Dua Lipa's first solo release since the acclaimed "Future Nostalgia" album. The track garnered significant recognition, earning a Grammy nod for Song of the Year. Furthermore, it stands poised to potentially secure an Oscar nod for Best Original Song, underscoring the underestimated power of a seemingly breezy musical creation.

Cupid - FIFTY FIFTY

Emerging as one of the most euphoric pop anthems of 2023, FIFTY FIFTY's breakout single achieved a level of irresistibility that secured its place as the first top 10 hit on Billboard's Pop Airplay chart for a South Korean group not named BTS. The infectious charm of "Cupid" lies in its seamless fusion of disco, pop, and rap—a rare feat not witnessed since the era of "Say So." With its irrepressible energy, a chorus that earns a solid five-star rating, and a surprising late-song key change, "Cupid" captivates with a level of artistry that transcends genres.

The groundbreaking success on the Billboard charts signals a promising start for FIFTY FIFTY, raising hopes for a sustained connection with the American airwaves.

Princess Diana (Remix) - Ice Spice ft. Nicki Minaj

Initially taken aback by fans drawing comparisons between her and the late Princess Diana, Ice Spice swiftly embraced the unexpected moniker to her advantage. In early 2023, she strategically dropped "Princess Diana," a track that not only acknowledged the quirky association but also solidified her adaptability as an artist. Capitalizing on the momentum, she promptly followed up with a remix featuring none other than the Queen of Rap Nicki Minaj, creating an unexpected but harmonious musical fusion.

The trap-infused tune boasts a reverb-laden guitar line, plucked with a leisurely pace that seems to move on its own schedule. This sonic backdrop serves as a captivating counterpoint to Ice Spice's hushed yet hurried flow, which confidently holds its ground alongside Minaj's triumphant verse.

All Things End - Hozier

Within Hozier's 2023 three-part EP, "All Things End" stands as a poignant exploration of the inevitable decline of a relationship, confronting the stark reality that even the most enduring connections will, at some point, reach their conclusion.

Hozier contemplates the impermanence that threads through life's fabric, emphasizing using his hypnotic voice the perpetual state of flux that surrounds us. Rather than adopting a morbid or hopeless tone, the song serves as a gentle reminder of the transient nature of all things. It encourages listeners to embrace life fully, armed with the understanding that change is an inherent part of the human experience. By living in the present and acknowledging the potential for surprises, "All Things End" inspires a resilience that ensures one is prepared for the unexpected twists and turns that life may unveil.

DEATH - Melanie Martinez

Melanie Martinez, a masterful singer and storyteller, uses her signature style in the song to delve into morbid themes and otherworldly imagery, serving as a captivating preview to her upcoming album. Through the haunting refrain, "Death is life, is death, is life," Martinez explores the cyclical nature of existence, embodying her alter-ego, Crybaby, as a returning spirit grappling to connect with the living.

Musically, "DEATH" seamlessly blends various elements, incorporating eerie introductions with natural sounds and Martinez's voice mimicking a young girl. The chorus, repeating "I'm back from the dead," marks Martinez's return after a three-year hiatus, promising a new persona. The production guides listeners through an emotional journey, featuring a well-executed beat drop, intense synth solos, and layered vocals, showcasing Martinez's ability to stand out in the music landscape. "DEATH" leaves a lasting impression with haunting vocals whispering "I'm back" and ominous sounds of running, encapsulating Martinez's rebranding message and hinting at a new character poised to capture the hearts of fans, akin to her beloved Crybaby persona.

What It Is (Solo Version) - Doechii

Recognized as Billboard's 2023 Women in Music's Rising Star honoree, Doechii achieved her first top 30 Hot 100 hit with "What It Is (Block Boy)." The collaboration with Kodak Black proves to be a winning combination as the artists lay out the blueprints for their ideal significant other. However, the track’s solo version stands out brighter. Its savvy nods to iconic R&B/hip-hop songs from the late '90s and early 2000s, such as TLC's "No Scrubs" and Trillville's "Some Cut," add a nostalgic touch. Doechii's sultry vocals take center stage, beckoning to all the block boys and bad girls, making "What It Is" an irresistible and memorable track.

Needs - Tinashe

Tinashe treats fans to another stellar single, "Needs." The track which was part of her “BB/ANG3L” LP and serves as yet another R&B masterpiece. The track is a sultry and seductive blend of breathy vocals set against a rhythmic, club-ready beat. Tinashe effortlessly weaves between purrs and whispers, delivering slick lines like, "Hands on my knees/ They ain’t never seen moves like these/ Nice and clean/ A1 body, but I talk real mean." The accompanying video adds an extra layer of enjoyment, featuring Tinashe and her dancers taking over an empty supermarket in a visually captivating experience.

Super Shy - NewJeans

Emerging onto the global stage with a fully realized pop superstar aesthetic, NewJeans has made a significant impact this year. Their release, "Super Shy," stands out as a pinnacle achievement, seamlessly incorporating cutting-edge production elements from various corners of the world. This unrequited-crush anthem boasts songwriting and performances of such strength that it resonates just as powerfully when presented unplugged. The track features mesmerizing synth twinkles, draws inspiration from Jersey club elements, but the true highlight remains the hauntingly repeated sigh: "You don’t even know my name, do yaaaaa?" NewJeans continues to demonstrate their prowess in crafting captivating music with a global flair.

Flowers - Miley Cyrus

In a narrative reminiscent of "I Will Survive" tailored for the 2020s, Cyrus crafts a phoenix-like post-breakup tale brimming with the breezy empowerment reminiscent of Gloria Gaynor's 1979 classic and a Bruno Marsm sample. However, there's a feel-good twist in Cyrus's story – she not only survives but thrives, embodying the notion that she can truly do it for herself. The irresistibly catchy "Flowers," featuring a strutting rhythm and a sing-along chorus, made history by breaking longevity records atop the Adult Contemporary chart. Spending an impressive 34 weeks at No. 1, it also catapulted to the summit of the Billboard Hot 100, where it claimed the No. 1 spot for a career-best eight weeks. Cyrus's anthem not only conquered the charts but also celebrated self-love as the ultimate form of love.

What Was I Made For? - Billie Eilish

The maestros of seizing every opportunity, Billie Eilish and her brother-collaborator Finneas, could have approached the Barbie task with a hint of pop frivolity or embraced some form of self-satire. However, true to their nature, they saw it as an inspiration to delve deep into their creative reservoirs, crafting a piano ballad as emotionally resonant as anything in their illustrious catalog. Surprisingly fitting for a blockbuster film comedy, the ballad takes on a life of its own.

As Eilish sighs, "I’m sad again, don’t tell my boyfriend," or wails, "I don’t know how to feel," the sentiments are equally plausible and heartbreaking, serving as poignant narration for Barbie or a disquieting exploration of self for Billie herself. It goes beyond merely understanding the assignment; it's akin to being tasked with an extra credit book report and, in response, inventing an entirely new field of literary criticism. This yet again underscores our good fortune to have Eilish and her brother as indispensable fixtures in our current pop culture landscape.

Slime You Out - Drake ft. SZA

"I don’t know, I don’t know what’s wrong with you girls," Drake says to kick off the record. "I feel like y’all don’t need love. You need somebody who could micromanage you, you know what I’m saying? Tell you from wrong. Who’s smart from who’s a fool, which utensil to use for which food. Like, I got a schedule to attend to though." About thirty seconds in, he transitions into his singing mode, delivering lines like “You bi**hes really get carried away/ Making mistakes then you beg me to stay/ Got me wigging on you like I’m Arrogant Tae/ You got my mind in a terrible place."

Later in the track, he humorously references the cover art featuring Halle Berry with slime on her face at the 2012 Nickelodeon Kids’ Choice Awards, singing, “I’m sliming you for them Kids’ Choices you made.” Drake then introduces SZA to the record almost two minutes in, setting the stage for her impactful contribution. She matches Drake’s energy, directing her vitriol towards men with lines like “Damn, these ni**as got me so twisted/ How the f**k you so real, but play bi**h on my line? I can feel what you spendin’/ Got too much pride to let no burnt ni**a slime me out.”

Throughout her verse, SZA calls out the same man for claiming he doesn’t cuddle or “trick” on women, despite doing both for her. The collaboration captures the essence of these two artists, known for their unfiltered expressions on matters of the heart and the challenges of interpersonal relationships. As if that weren’t enough, the Her Loss artist concludes the song with a rap verse, providing a month-by-month prediction of how his former lover’s year will unfold before she inevitably returns to him.

Padam Padam - Kylie Minogue

Sensual, confident, and coy, Kylie Minogue asserts herself at the pinnacle of her artistic prowess with “Padam Padam,” marking a surprise comeback hit for the Aussie legend. The track gained unexpected traction on TikTok, where users had a field day interpreting the onomatopoeic title (a nod to a heartbeat) as a versatile shorthand for various scenarios. Against an insistent backdrop of ice-cold electro-pop that practically burns, Minogue showcases the unwavering pop prowess that has sustained her as a cult favorite in America since her last ubiquitous U.S. hit two decades ago.

Uh Huh - Tinashe

Tinashe's "Uh Huh" emerges as a slow-burning, velvet-sheeted anthem of sensuality, evoking a vibe that feels seamlessly transported from the mid-aughts era of Mariah Carey's illustrious discography. The sultry ballad serves as the epitome of this sentiment, capturing the essence of a bygone era with its seductive melodies and intimate atmosphere. What makes "Uh Huh" particularly noteworthy is its ability to transcend the confines of a singular track, as the same captivating allure effortlessly permeates through the livelier compositions scattered across the entire LP. In both the subdued moments and the more energetic cuts, Tinashe masterfully channels a nostalgic allure reminiscent of the R&B heydays, creating a sonic journey that resonates with the timeless essence of romance.

All I Need Is You - Kesha

In Kesha's "All I Need Is You," there's a heartfelt reaching out to someone, or perhaps everyone, to be the source of her uplift. Throughout the album, Kesha maintains the signature silly humor that has always distinguished her as a pop star with a unique, animal-print-patterned persona. "All I Need Is You" stands out as the most beautiful track on her album and certainly a memorable one this year, with Kesha openly confessing that she doesn't require much in life, as the sole desire is the person addressed in the song—a presence she cannot bear to lose.

Kill Bill - SZA

SZA’s one single stood out the whole year— "Kill Bill." The title alone evokes Quentin Tarantino's films about a wronged lover seeking ultimate revenge on her ex, and SZA contemplates doing the same, even extending her fury to his new girlfriend, with the premise of "If I can't have you, no one should." The song's instantly viral nature is propelled by eerie synth loops and groovy, boom bap-inspired percussion, emphasizing the singer's lunatic antics. However, moments of self-awareness, such as when she sings "I'm so mature" or acknowledges it's "not the best idea," assure listeners that she's self-aware and finds humor in her own psychosis.

Despite the dark theme, the R&B roots of the song are exposed in the bridge, where SZA sincerely wails, "I did it all for us, I did it all for love." She later admits to committing crimes of passion, nonchalantly shrugging at her own impending eternal damnation. Released alongside "SOS" in December, the single became a chart-topping sensation, earning SZA her first Hot 100 No. 1 in April. It set numerous records on various Billboard charts, including most weeks at No. 1 on Hot R&B/Hip-Hop Songs with 21 weeks. The song garnered three Grammy nominations ahead of the 2024 awards, including record and song of the year, solidifying SZA's status as the most-nominated artist with nine nods. With "Kill Bill" and the success of its parent album, SZA seamlessly ascended to pop superstardom, showcasing her ability to expand her sound without compromising her unique musical identity. In short, SZA truly killed it with this song.

Desire - Sam Smith ft. Calvin Harris

In their latest dance smash titled "Desire," renowned DJ and producer Calvin Harris teams up with singer Sam Smith, taking an unexpected sonic turn away from their more traditional dance-pop hits. The track ventures into the realm of trance music, showcasing their creative risk-taking abilities and offering a refreshing change from their usual musical styles.

Despite the departure from the familiar, both Smith and Harris manage to craft a remarkably catchy track that not only evokes a sense of nostalgia but also ventures into forward-thinking soundscapes. This blend might pose a divergence for some long-time fans of both artists, as it represents a departure from their typical styles. However, the outcome is undeniably charming and serves as a delightful reunion for those who have eagerly awaited their collaboration once again.

Barbie World - Nicki Minaj & Ice Spice

Sampling Aqua's iconic "Barbie Girl" is a substantial responsibility, especially when it's for the Barbie soundtrack itself. However, Nicki Minaj and Ice Spice rise to the occasion and deliver a memorable performance. Despite its brevity, the track, sitting at just under 2 minutes long, packs a dynamic punch.

The moment Nicki Minaj raps, “Yellin’ out, we ain’t sellin’ out. We got money, but we ain’t lendin’ out,” and Ice Spice follows with, “She a Barbie bitch with her Barbie clique. I keep draggin’ her, so she bald a bit,” is truly impactful, enhanced by the thumping bass. It's a moment that immediately signals its potential to become a club anthem. The duo reimagines the hook and introduces classic new lines like, “I’m a doll, but I still wanna party. Pink ‘Vette like I’m ready to bend. I’m a ten, so I pull in a Ken. Like Jazzie, Stacie, Nicki. All of the Barbies are pretty. All of the Barbies are bad. It girls, and we ain’t playin’ tag.”

Spinnin’ - Madison Beer

Madison Beer's "Spinnin" is a deeply personal track that delves into the overwhelming sense of disappointment in reality, reaching a point where the desire to escape becomes a constant yearning. In this emotionally charged song, Madison Beer showcases the full force of her signature vocals and singing style. "Spinnin" takes listeners on a slow-burning journey through the depths of sadness, allowing them to connect with the raw and authentic emotions embedded in the music, making it one of the most memorable tracks this year.

Ruby Da Red Sleeze - Nicki Minaj

Produced by Go Grizzly and Cheeze Beats, the track showcases Nicki Minaj in her classic and most powerful form, effortlessly blending rapid-fire spitting and soulful singing while navigating seamless beat switches. The lyrics are a testament to Minaj's prowess, as she weaves through a tapestry of references and punchlines. From the bold declaration of "Dorito bitches mad that they nachos" to the clever wordplay with "I'on fuck with horses since Christopher Reeves" and the humorous assertion "Just a bunch of airheads like Kelly Bundy," Minaj's lyrical dexterity takes center stage in this dynamic and multifaceted track in a way only she knows how.

Gone Girl - SZA

"Gone Girl" stands as a poignant marker of SZA's transition from one version of herself to the next, capturing that uneasy moment when internal change precedes its outward manifestation. Positioned at the midway point of the “SOS” journey, the song serves as a pivotal moment, creating a rift that the rest of the album endeavors to traverse. Set against the backdrop of a warm Rhodes piano, "Gone Girl" is a soul-stirring break-up ballad that beautifully showcases the purity and depth of SZA's vocal range. The track not only marks a significant emotional juncture within the album but also highlights SZA's ability to convey raw and authentic emotions through her music.

One Of Your Girls - Troye Sivan

In "One of Your Girls," Troye Sivan's charismatic singing takes on a conversational tone, especially as he humorously evaluates his chances with a straight man. The song explores the complexity of being a little in love with individuals who prioritize societal norms over genuine connections. Despite acknowledging the dissatisfaction in such relationships, Sivan expresses the allure of these situations. The track features a delicate guitar riff, impactful synths, and emotionally charged lyrics, with Sivan singing lines like, "Give me a call if you ever get lonely / I’ll be like one of your girls, or your homies." If you resonate with the struggles of being drawn to what may not be good for you, "One of Your Girls" captures that sentiment.

Part of Your World - Halle Bailey

Halle Bailey unveils her rendition of the classic "Part of Your World" from The Little Mermaid, adding her own enchanting touch to the iconic song. Recognized as one of the standout tracks from the original animated film, the song captures Ariel's fervent yearning for life on land and her attempts to grasp the intricacies of human language. Against a backdrop of lush orchestration, Bailey delivers a powerful vocal performance that not only pays homage to the beloved original sung by Jodi Benson but also infuses the new recording with her distinctive and captivating style.

My house - Beyoncé

Beyoncé extends the grandeur of her monumental world tour in support of Renaissance with the release of the concert film. Accompanying this cinematic experience is the closing credits song, "My House," a triumphant anthem reminiscent of a star athlete's celebratory pose after an extraordinary game. Crafted in collaboration with The-Dream, the track commences with a fierce step team stomp, echoing the unified energy reminiscent of 2018's Homecoming. However, midway through, it undergoes a transformation into a simmering house cut. Here, Beyoncé calls for a revolution of self-love, drawing inspiration from RuPaul with lines like, "But I’ll never expect you to love me when you don’t love yourself." By intertwining two pivotal moments in Beyoncé's history—the pinnacle of her performances and her heartfelt homage to overlooked influences in dance music— "My House" signifies serious business, inviting the entire world to revel in the party within her house.

You're losing me - Taylor Swift

In "You're Losing Me," a vault track from her Midnights collection, Taylor Swift hints at her breakup with Joe Alwyn. The song vividly captures a heated argument and the emotional turmoil of deciding to end a long-term relationship. With the repetitive refrain, "Stop, you're losin' me," and a heartbeat sample, Swift conveys the theme of loss as emotionally as she can. The bridge reveals Swift's vulnerabilities, expressing insecurities and desires. The song exemplifies the potent mix of powerful messages and dance-worthy beats characteristic of Midnights, showcasing Swift's continued unique blend of singer-songwriter sensibilities and pop appeal.